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Cultivating

Hani Lore

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  • Historical Background
  • Food Culture
  • Traditional Clothing
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  • Art & Music
  • Festivals
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    • About Us
    • Historical Background
    • Food Culture
    • Traditional Clothing
    • Language
    • Art & Music
    • Festivals
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    Cultivating

    Hani Lore

    • Home
    • About Us
    • Historical Background
    • Food Culture
    • Traditional Clothing
    • Language
    • Art & Music
    • Festivals
    • …  
      • Home
      • About Us
      • Historical Background
      • Food Culture
      • Traditional Clothing
      • Language
      • Art & Music
      • Festivals
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      •  

        The Hani people have a rich

        Art & Music culture

         

        Home
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        Hani Symbols

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        Hani Traditional

        Dances

         

         

        Click on the image

        to the left to watch videos

         

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        Hani traditional musical instrument - “Blowing Leaves”

         

        The simplest and simplest instrument of the Hani people is a single reed pneumatic instrument, which can even be said to be composed only of the reed itself [1]. This instrument is a natural leaf. By holding the ends of the leaf between the fingers and blowing gently with the leaf held horizontally between the lips, the leaf vibrates and produces a sound similar to that of a trumpet or suona. This form of leaf blowing music is called “leaf blowing”. Leaf blowing is popular among many ethnic minorities of the Southwest, and is not unique to Hani music culture, and the reason for this may be precisely because of its simplicity of material and beautiful sound. In the earliest days, leaf blowing was used to attract wild animals by onomatopoeia in hunting, but later it evolved into an instrument of confession used to attract sweethearts, and was often used by Hani men to play solo at night [2].

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        Hani Traditional Musical Instruments - “Bawu” (Meiba) 

         

         

        This is also a Hani reed instrument, available in single and double-barrel versions, and is used for solo performance or as an accompaniment to raps and dances. The Bawu is 40 centimeters long and 3 centimeters wide in size, and has eight finger holes, seven in the front and one in the back [1]. However, because the original baowu only had eight holes, it could not play a complete seven-tone scale. After the founding of the PRC, a research group modified the original Bawu, changing the reed material from bamboo to copper, and changing the eighth finger hole to the lower right of the finger hole column, but basically retaining the original playing technique and the bamboo body [3]. This effectively optimizes the playing of the baow and expands its range.

         

         

        There is also an interesting legend about the Bawu in the Hani Ailao Mountains: a Hani girl named Meiwu once fell in love with a young man named Bachong, but was taken captive due to the devil's jealousy. The devil forced Mei Wu and his own marriage, but she did not say a word, never give in, so the devil cut off her tongue, threw her into the deep forest. One day, a fairy bird came to the forest and brought Mew her tongue as well as a piece of bamboo. After putting her tongue into the bamboo, the girl blew the bamboo to express her longing to her distant lover. After hearing the sound of the bamboo, Bachong wades into the forest and rescues Meiu. In the end, the two of them took out the “Ba” and “Wu” in their names and named the bamboo instrument “Ba Wu”.

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        Hani Traditional Musical Instrument

        - “Rice Planting Horn”

         

         

        It is a seasonal wind instrument of suona [4]. According to traditional Hani customs, the rice-planting trumpet can only be played between the Yellow Rice Festival in March and the Bitter Zaza Festival in mid-June, and is not permitted to be played at any other time (note: Hani people in different regions celebrate the same festivals at different times, so the months only include the times when some regions celebrate the festivals). (Note: The Hani people in different regions celebrate the same festival at different times, so the months include only the times when the festival is celebrated in some regions). The Hani call the rice-planting bugle “Che Minor”, which means the sound that urges the crops to be planted. This is how the rice-planting bugle calls out the arrival of the festival with its long, soft, high-pitched trill and sings the hope of a good harvest in the future.

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        Hani traditional musical instrument - “small three-strings”

         

        This is a traditional plucked string instrument of the Hani ethnic group and one of the most representative folk instruments of Hani musical culture [4]. The instrument is usually made of pearwood for the string handle, a resonance box masked with bamboo shoot leaves (there are also models described in the literature that are masked with snakeskin), and a horn piece as a pick to pluck the strings, and the resonance box is used to amplify the sound of plucked strings [1]. By amplifying the sound of the strings with a resonance box, the smal three string has a deep and long aftertone like an acoustic guitar, and the sound is crisp and clear due to the use of a pick. This sound characteristic allows the snare to play more complex melodies, and it is often used for improvisation by the Hani people.

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        Hani Traditional Musical Instrument

        - “Bamboo Tube”

         

         

        Bamboo tubes originated from the Hani people's former cooking utilities, which were used to cook food by “roasting”, “broiling”, “steaming”, “stewing”, and other cooking techniques [5]. Later, the Hani people transformed the bamboo pipe from a cooking utensil into a musical instrument with no fixed pitch but a loud sound by trimming the bamboo pipe into a 45-degree beveled surface. Bamboo pipes are often used to accompany various ceremonies and festivals, the most famous of which is the Bamboo Pipe Dance [1]. The most famous of these is the Bamboo Dance [1], in which the Hani people will come out to dance with the sound of the bamboo pipes, and even celebrate the New Year's Eve with the sound of the bamboo pipes all night long. The old people will also sit around the bamboo tube to chat and drink. It can be said that the sound of the bamboo tube is the atmosphere of all kinds of Hani festivals.


      • Hani Polyphonic Folk Songs, Folk Songs, and Folk Music Collection

         

         

        (Remember to unmute the video)

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        Traditional Hani Rap

        “Hani Haba”

         

        (to be uploaded)

         

         

        This form of rap is ancient and can be used to perform Hani migration epics, such as the Twelve Nuju and the Hani Apei Cong Po Po.

         

         

         

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        Hani Folk Song -

        “Abul Aly Comes”

         

        (Remember to unmute the video)

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        Hani Polyphonic Folk Song

        - Rice-planting “Yishe She”

         

         

         

        This one has just been featured in the first compilation, but this video is performed by a real person and has a rich introduction in Chinese.

         

         (Remember to unmute the video)

      • References:

        [1]PASCAL BOUCHERY. A Sketch of the Musical Heritage of the Hani (Yunnan / China)[J/OL]. European Bulletin of Himalayan Research, 1997, 12-13: 197-219[2024-11-09]. https://hal.science/hal-03711717v1. DOI:https://hal.science/hal-03711717.

         

        [2]吹叶[EB/OL]//百度百科. (2024). https://baike.baidu.com/item/%E5%90%B9%E5%8F%B6/8169201.

         

        [3]巴乌[EB/OL]//百度百科. (2024)[2024-12-12]. https://baike.baidu.com/item/%E5%B7%B4%E4%B9%8C/363932.

         

         

        [4]哈尼族乐器简介 哈尼族都有哪些特别的乐器-文史百科-国学梦[EB/OL]//Guoxuemeng.com. (2016)[2024-12-12]. https://www.guoxuemeng.com/lishizhishi/505348.html.

         

        [5] 竹筒[EB/OL]//百度百科. (2024)[2024-12-12]. https://baike.baidu.com/item/%E7%AB%B9%E7%AD%92/3997450.

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